Bruno Mars Its Shwotime Guess Whos Back Again
The following script is from "Bruno Mars," which aired on Nov. 20, 2016. Lara Logan is the correspondent. John Hamlin, producer.
Bruno Mars is 1 of the world's biggest music stars and he's i of the near driven people nosotros've ever seen. Merely 31, he's the production of what he calls a "schoolhouse of rock" instruction -- a working class life of experiences that have taught him the music business. None of information technology came easily. He's been broke, busted and nearly homeless. But this week, following the release of his beginning album in iv years, he'south on top of the music world.
To prove u.s. how he got there, Bruno Mars did something he's never done: he shared with us some of the toughest moments of his Hawaiian upbringing, and gave us the opportunity to witness his extraordinary skills equally a songwriter and producer.
We brainstorm with Bruno Mars, the entertainer.
This show in Connecticut last calendar month was his first public concert of the year, and he used information technology as a tune-upwards for the release of his new anthology and world tour to follow. On every song and every annotation, from arenas to halftime of the Super Bowl, he and his ring, The Hooligans, perform full throttle.
His standards are high because the legends of music set them.
Bruno Mars: I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You lookout them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, almost how they're making the audience feel. They're not phoning it in. They're going upward at that place to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
He is a throwback. You see it in the choreography on stage and hear it in the songs themselves. Descendants of the generations that came before him.
"I but really care about what people see. I desire them to know that I'thou working hard for this." Bruno Mars
Lara Logan: When I heed to your songs.
Bruno Mars: Uh-huh.
Lara Logan: You lot tin hear all those people that yous've listened to.
Bruno Mars: Aye.
Lara Logan: Over the years.
Bruno Mars: A lot of people are actually quick to say, "That song sounds like this." Or you-- "He'due south tryin' to sound like this." And I'm always like, "You're damn right I am. That'south how-- that's why nosotros're all hither." Yous know, nosotros all grew up idolizing some other musician. That's how this works. That'southward how music is created.
The musical education of Bruno Mars began in his hometown: Honolulu, Hawaii. He was born Peter Hernandez, to a Puerto Rican begetter and Filipino mother: parents who were professional person musicians, performing together in the tourist showrooms of Waikiki Beach. Their act was chosen the "Dear Notes" and when Bruno was 4 years old his parents included him in the family unit business. He played "Niggling Elvis" and information technology's when he first learned he could steal the show.
The "Little Elvis" routine lasted six years. But the lessons of his parents' Vegas-way Waikiki entertainment revue, have lasted a lifetime.
Bruno Mars: Yous know, it was, similar, "Schoolhouse Of Rock" for me. And it was but this kind of razzle-dazzle lifestyle.
Lara Logan: That'due south real showbiz.
Bruno Mars: Yeah, prove business concern. You know?
Lara Logan: Correct?
Bruno Mars: And if you lot wasn't hitting those notes and the audience wasn't freaking out, then you weren't doing information technology correct.
By the time he turned 12, his parents divorced and the family band bankrupt up. Coin was tight. His four sisters moved in with his mom. He and his brother lived with his dad…
Lara Logan: On elevation of this building?
Bruno Mars: On summit of this building.
…anywhere they could.
Bruno Mars: My dad was just the rex of finding these trivial spots for us to stay that we should never have been staying at.
Lara Logan: But you were, similar, homeless people?
Bruno Mars: Aye. No. Yep, for sure. We was in a limousine at once. 1984 limousine.
Sleeping in the back of a car, on elevation of buildings, and this place…
Lara Logan: So this is where you lived?
…Paradise Park, a bird zoo where his dad took a task. This was the starting time fourth dimension he'd been dorsum hither since. Even people who work with him haven't heard this role of his story.
Bruno Mars: Where we were staying at first—
Lara Logan: Yeah.
Bruno Mars: --didn't have a bathroom. So we'd take to walk across the park to this other spot that had a bathroom.
Lara Logan: Wow.
Bruno Mars: In the in--
Lara Logan: And sometimes in the eye of the dark?
Bruno Mars: In the middle of the nighttime.
When the park closed, they stayed, moving into this ane-room edifice.
Lara Logan: This was your house?
Bruno Mars: Yeah.
They lived here for more than ii years.
Bruno Mars: But then people don't retrieve we're crazy.
Lara Logan: Yeah.
Bruno Mars: Information technology did non expect similar this.
Lara Logan: It had a roof?
Bruno Mars: It had a roof.
Lara Logan: Information technology didn't have plants growing within.
Bruno Mars: It didn't take plants growing inside. I don't know what happened to the roof. Merely the bed would be right there in the middle.
Lara Logan: Yeah? And you'd all sleep in 1 bed?
Bruno Mars: Nosotros'd all sleep in one bed.
Lara Logan: Happy memories?
Bruno Mars: The best.
Lara Logan: That's-- is kind of astonishing in that, what you call up near it is not the struggle or the things you didn't have.
Bruno Mars: Nah—
Lara Logan: It's all the things you had.
Bruno Mars: Aye. Nosotros had it all, you know. We had each other and it never felt like it was the end of the earth. "Information technology'southward alright nosotros don't got electrical today. Information technology'southward alright. Information technology'due south temporary." saying, "Well, we gonna effigy this out."Perchance that's why I accept this mentality when information technology comes to the music. 'Cause I know I'm gonna figure-- I'g gonna figure it out, just give me some time.
As soon as he graduated high school, he left the Waikiki showrooms and Hawaii birthday.
Lara Logan: Yous could've stayed here, correct—
Bruno Mars: And be—
Lara Logan: --and you could—
Bruno Mars: --very happy.
Lara Logan: Yeah? And made a good living, and done what your dad did and been a large star in Hawaii?
Bruno Mars: I wanted to go for it.
Lara Logan: You wanted more?
Bruno Mars: I wanted more than. And my family unit pushed me. And this isle pushed me.
Lara Logan: How?
Bruno Mars: These are my people, and this is my civilisation, and I desire to represent them. I want people to think of Hawaii and think of palm copse and magical islands and Bruno Mars.
So he headed for Los Angeles where he was speedily signed past Motown Records. Gone was his given name of Peter Hernandez, branding himself Bruno Mars instead.
"Bruno," his childhood nickname, "Mars" shooting for the stars. The name stuck but the tape contract didn't. Motown dropped him.
Bruno Mars: I don't blame Motown. I don't-- I-- I was sim-- it's simply I wasn't ready still. I think everybody don't know what color I am. It's like, "He's non blackness plenty. He's non white enough. He'south got a Latin terminal name merely he doesn't have-- he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making popular music? What kind of music are yous making?"
With no hit songs of his own and dead broke, he started over, writing and producing songs for other artists with friends Ari Levine and Philip Lawrence. They were starving musicians. Inspired past the hustle just to pay for food, they came up with this song.
[Music from "Billionaire"]
Information technology led to another record deal of his ain. His career as a songwriter and performer was finally on track. Near that time though, he was arrested for possession of two-and-a-half grams of cocaine.
Lara Logan: From the exterior you actually seem to proceed it together and to be very professional and, you know, very committed only y'all nearly threw it all abroad.
Bruno Mars: I did something very stupid. I'm in Las Vegas, Lara. I'm 24 years old. I'g, you know, drinking way more than than I'm supposed to be drinking and it was so early in my career and I always say that I think it had to happen. That was the reality check I needed and I'm-- I promised myself that that, you know, you ain't never gonna read nigh that once more.
Headlines for hits, not drug busts have been his narrative ever since capped past 2 Super Bowl halftime performances in iii years and iii Grammys including "record of the year" for his collaboration with producer Mark Ronson, "Uptown Funk." It's the biggest hit in a career total of them.
Lara Logan: How hard is it to write a song that's great?
Bruno Mars: "Uptown Funk" took united states well-nigh a yr to write. And at that place's songs that taken-- that's taken us 2 hours to write. And we throw 'em away. "Uptown Funk" was in the trashcan about 10 times.
Lara Logan: Really?
Bruno Mars: Yeah.
Lara Logan: Why?
Bruno Mars: 'Crusade we made a lot of, you lot know, y'all tin can make a left turn and all suddenly this song is something terrible. Embarrassing virtually. But yous have this one thing that keeps y'all going. This one role of the song that feels so good and information technology makes you want to keep going. And information technology makes you want-- "Ah, we should just endeavour again. Let's try again, let'south effort again."
He told us the conception of much of his music begins, in this California recording studio.
Bruno Mars: This is it, Lara.
Over the last two years he has been on lock downwards here trying to answer the claiming created from his run of large hits. Particularly his last 1.
Bruno Mars: This album, it was daunting, considering coming off of "Uptown Funk" was like the biggest song I've ever been a function of. And then you're like, alright, now what are you gonna practice?
This is what he came up with. His new album, "24K Magic." The championship song, out but six weeks, is already another massive hit. He showed the states how they built the song from the drums upwardly.
"I was built for this...It's dedicating yourself to your craft." Bruno Mars
Bruno Mars: That's how it starts.
Lara Logan: And and then?
Bruno Mars: Well come on, come up on!
Bruno Mars: And then we could put some sparkle on it. Like put a lilliputian magic dust on it. Hear that?
Bruno Mars: Drums and base is locking, right?
Lara Logan: Yeah.
Bruno Mars: Experience practiced notwithstanding?
Lara Logan: Yes!
Bruno Mars: Then you add the sauce, the surreptitious sauce. Yous ready?
Bruno Mars: That'due south it.
Bruno Mars: 24 Karat Magic!
Bruno Mars: First! Judge who'south dorsum once more?
Information technology's easy to see that Bruno Mars loves the merely job he's always wanted and that he's all the same driven, to go it right.
Bruno Mars: I was built for this Lara. It's dedicating yourself to your craft. Spending thousands of hours in a studio learning how to write a song, learning how to play different chords, preparation yourself to sing. You know, to become better and better.
Lara Logan: Are you in that location?
Bruno Mars: No. I'1000 not even shut.
Lara Logan
Source: https://www.cbsnews.com/news/60-minutes-bruno-mars-24k-magic-uptown-funk-success/
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