Panasonic Lumix G Vario 100-300mm F4-56 Ii Power Ois Review
Panasonic Lumix G Vario 100-300mm f/4-5.6 OIS II REVIEW
Panasonic Lumix G Vario 100-300mm f/4-five.half-dozen OIS 2 REVIEW
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After a year using the Lumix 100-300 II, it's time for a long term review. Reason I needed 1 year to review this lens is, It'due south the first super telephoto lens I've used. And, after using it for action/sports, BIF and wildlife, I now know this lens inside and out.
First the Common Stuff nigh this lens that can be constitute online:
1) As you know this 100-300mm lens is equivalent to a 200-600mm FF with the 2X crop factor of MicroFourThirds cameras.
2) All the Specifications of the 100-300 II lens.
3) The difference between original version, and this new 100-300 version II.
Next the Pros of this lens:
one) Great Value for what y'all get vs the other options out there.
two) Small, Light, and meaty for its huge reach.
3) With the new cameras like Lumix G9, the AF and DUAL IS piece of work great.
4) Epitome quality is on par with high stop super telephotos for most of its range.
5) Bang-up selection for 4K video, and static shots of moving objects.
6) durable plastic absorbs the bumps and bruises well, and it did well in the pelting without any damage to the operation of the lens.
The following is a video using this lens for wild fauna:
The principal reason I got this lens was to explore wildlife photography and video with the Lumix G9. And the 100-300 II does a groovy job for the price. The AF using one surface area or single point is very fast and authentic with this lens. As seen in the above video, this lens tin can be used hand held at twilight before sunrise. Fifty-fifty with a slow aperture like f/5.half dozen the DUAL IS of the Lumix G9 with the stabilization of the lens will let ISOs of 1600 or 800 with shutters downwardly to 1/650 and even lower when information technology's paired with a Dual IS body. And that for me made a huge difference getting stable video and long shots at twilight. I'm using exposure settings I could never get away with using a DSLR and lens 1/ii it's attain. For me, that was a game changer.
But like any lens, they take compromises. Side by side The Cons of the 100-300 II.
1) Sloppy manual focus ring. Trying to nail infinity using the distance calibration of the camera is very difficult every bit the focus point gets glutinous when virtually the infinity mark. And I use this for manual focus a lot for video.
2) Focus breathing. Not much of an event for photo. But for video this limits a lot of close upwards to far abroad focus pulls. Unless y'all want the upshot where the blur changes size.
iii) The wideness of the 100-300 Ii is well-nigh 15% tighter than the Panasonic 35-100 II at 100mm. And near 10% tighter than the Panasonic 45-150, at the 150mm end. Thus, this lens actual wideness at various ranges are tighter than some other lenses.
Nevertheless, Below are some pics I recently shot with the 100-300 2.
Blue Heron during the sunrise at Morro Stone
Blue Heron on the PCH at Sunrise.
Long Billed Curlew after sunrise.
The Panasonic 100-300mm f/4-5.6 OIS II is a smashing lens for photo and video. It'southward not the best lens out in that location, but it gets the task done for nearly one/3 the price. This year, I had the adventure to handle the Panasonic/Lecia l-200 f/ii.8-4, and it was a much nicer lens with noticeably faster AF. And at that place is the Panasonic Leica 100-400 which is some other corking lens. Both these college priced lenses have improve paradigm quality at the long terminate of 250 to 300mm. But for the shorter range of 100-200, the Pana 100-300 holds up very well to the best.
So that'southward my long term review of this Panasonic lens. I shoot a multifariousness of styles and venues of photo and video. Thus, this is a great compact all effectually super telephoto lens that can be used without a tripod for photograph and video.
The following are more video I shot with this lens: I also endeavour to include the camera settings when possible.
Anyway, hope this volition assist if you're considering this lens. Thank You.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Telephoto zoom lens • Micro Four Thirds • H-FS100300
Announced: January 4, 2017
gipas • Regular Fellow member • Posts: 322
Re: Panasonic Lumix G Vario 100-300mm f/4-v.6 OIS Two REVIEW
1
Glad to read this review, I'm about to receive my copy of this lens 😀
Give thanks you for reporting your straight experience.
Cheers.
Samsung TL500 Olympus E-450 Olympus PEN Eastward-PL1 Pentax K-30 Pentax Yard-3 +iii more than
ToxicTabasco wrote:
The Panasonic 100-300mm f/4-five.vi OIS II is a nifty lens for photograph and video. It'southward not the all-time lens out there, merely it gets the job done for about 1/three the price.
Owning this lens myself (using it on E-M1 Mark II), I accept to say this basically sums information technology up. Information technology really is a practiced value for money selection. I'd say it should be a go-to option for any Micro 4/three user that wants to venture into super tele world without breaking a banking company. It's a natural footstep upwards from the cheap 40-150 and 45-150 (both smashing value lenses on their own, past the manner)
This twelvemonth, I had the chance to handle the Panasonic/Lecia fifty-200 f/2.8-4, and information technology was a much nicer lens with noticeably faster AF. And there is the Panasonic Leica 100-400 which is another great lens. Both these higher priced lenses take better prototype quality at the long end of 250 to 300mm.
I merely rented the 100-400 and can confidently say that information technology is a better lens than 100-300 in every regard except the dreaded stiff zoom issue. But this is in no fashion a critique of the 100-300 Ii, since the difference in toll is almost iii fold.
But for the shorter range of 100-200, the Pana 100-300 holds upwards very well to the best.
Definitely, the 100-300 II performs very well in the 100-200 range. If I remember correctly from my tests, 150 mm is the sugariness spot and it's very sharp corner to corner at that focal length.
1 affair to note for Olympus users. You have to use electronic shutter (♥) or EFCS (♦) bulldoze modes to avoid blurring acquired by shutter shock. Users of modern Panasonic bodies (the ones using new mechanical shutter design) don't have to worry about this, I judge.
Sigma DP2 Merrill Olympus PEN E-PL1 Panasonic Lumix DMC-GM5 Olympus E-M1 II OM-1 +15 more
spike29 • Senior Fellow member • Posts: 2,461
Re: Panasonic Lumix Thou Vario 100-300mm f/4-5.half-dozen OIS II REVIEW
i
I am very happy with this lens. Point 3 15% tighter at 100mm as the other at 100mm?
Foreign. I would recall that 100mm is 100mm on any lens. gues iam naive 😀
Nevertheless information technology's a well build lens and the alternatives are less interesting.
Price wize, 100-400 or 50-200 plus tc.
75-300mm oly, on a panny not a choise because of dfd and dualis2 loss.
45-200mmii its cheap and yous need to work it before it'southward evangelize. ( AF and general sharpness.)
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Panasonic Lumix DMC-FZ200 Fujifilm FinePix F70EXR Panasonic G85 Panasonic Lumix G Vario 14-140mm F3.five-five.half-dozen O.I.South Panasonic Leica 12-60mm F2.8-four.0 ASPH +2 more than
Re: Panasonic Lumix K Vario 100-300mm f/4-five.6 OIS II REVIEW
iv
spike29 wrote:
I am very happy with this lens. Bespeak iii 15% tighter at 100mm as the other at 100mm?
Strange. I would remember that 100mm is 100mm on any lens. gues iam naive 😀
The focal lengths on the barrel almost never match the actual focal length of the optics. And and so there is focus breathing which OP mentioned. Different lenses breath differently, just unless information technology's a specialist cine lens, there will be some of information technology. That means that focal length of the lens changes as the focus changes.
I was recently comparison my 100-300 2 with a film era Pentacon 4/300 (with and without a speedbooster). At "infinity", field of view from both was the same. but as soon as I tested by photographing a subject just 3 meters from the camera, the difference in field of view was immediately visible. Basically, with subject field and camera in the same place, I had to set the 100-300 II to around 260mm to friction match the 210mm of the Pentacon with a SpeedBooster. With simple adapter and comparison both at 300mm, I had to move the Panasonic almost 1 meter closer to the subject field to become the same framing.
I played effectually measuring this stuff a while back. For instance, Olympus 30mm Macro is around 20mm at its closest focus altitude.
Sigma DP2 Merrill Olympus PEN Due east-PL1 Panasonic Lumix DMC-GM5 Olympus Eastward-M1 II OM-1 +fifteen more
spike29 • Senior Member • Posts: 2,461
Re: Panasonic Lumix G Vario 100-300mm f/iv-5.half dozen OIS Two REVIEW
Astrotripper wrote:
spike29 wrote:
I am very happy with this lens. Point 3 15% tighter at 100mm as the other at 100mm?
Strange. I would call up that 100mm is 100mm on whatever lens. gues iam naive 😀
The focal lengths on the barrel almost never match the actual focal length of the optics. And and so at that place is focus breathing which OP mentioned. Unlike lenses jiff differently, but unless it'due south a specialist cine lens, there will be some of it. That ways that focal length of the lens changes as the focus changes.
I had to interweb it but it'south sounds logic, turning lensring shifting elements for focus the focalpoint shifts abit and therefor the viewangle.
What i idea was a 12-100mm at hunderd locked would exist accept the same field of view as a 100-300mm at hunderd locked.
The digital "number" of "150mm" writed in the exif of the 100-300mm is i think a measurement and not a fysical fixed gearset, calibrated only with some tolerance.
I was recently comparing my 100-300 Two with a film era Pentacon 4/300 (with and without a speedbooster). At "infinity", field of view from both was the same. but every bit soon as I tested by photographing a subject area simply 3 meters from the camera, the departure in field of view was immediately visible. Basically, with subject and photographic camera in the same place, I had to set the 100-300 II to effectually 260mm to match the 210mm of the Pentacon with a SpeedBooster. With simple adapter and comparing both at 300mm, I had to move the Panasonic almost 1 meter closer to the field of study to get the same framing.
I played around measuring this stuff a while back. For example, Olympus 30mm Macro is effectually 20mm at its closest focus distance.
Ok so a prime has 10mm angle diiference i/3 of it's "sold prime focallenght"
Wow. 🙂
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(If i tin can remember 1/1000 of everything i learned/read in the past i will be happy as a monky with........)
Panasonic Lumix DMC-FZ200 Fujifilm FinePix F70EXR Panasonic G85 Panasonic Lumix 1000 Vario 14-140mm F3.5-five.vi O.I.S Panasonic Leica 12-60mm F2.8-4.0 ASPH +ii more
Re: Panasonic Lumix G Vario 100-300mm f/4-v.6 OIS Ii REVIEW
gipas wrote:
Glad to read this review, I'm about to receive my copy of this lens 😀
Thank y'all for reporting your direct experience.
Cheers.
Thank yous. Was the lens back ordered? I had to wait well-nigh 3 weeks for the back order concluding year. Anyhow, best wishes with the new lens.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Cheers. And thanks for the info on the Olympus cameras. That should help others who are considering this lens.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Re: Panasonic Lumix G Vario 100-300mm f/iv-5.6 OIS II REVIEW
spike29 wrote:
I am very happy with this lens. Betoken iii xv% tighter at 100mm equally the other at 100mm?
Yes, that'southward what I expected. However, after checking out my Nikon DSLR lenses, they seem to also have variations between lenses at various focal ranges of 5 to x%.
Foreign. I would think that 100mm is 100mm on whatsoever lens. gues iam naive 😀
Yet it's a well build lens and the alternatives are less interesting.
Price wize, 100-400 or 50-200 plus tc.
Yes, that would be the optimal choice for wildilfe. In the USA, the one.four TC is unavailable new. Simply, the 2x TC is available new.
75-300mm oly, on a panny non a choise because of dfd and dualis2 loss.
45-200mmii its cheap and you need to work it before it's deliver. ( AF and full general sharpness.)
Cheers for the info on the other choice. Information technology should help others out in that location who are because this and other lenses. Much appreciated.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Re: Panasonic Lumix G Vario 100-300mm f/four-5.6 OIS II REVIEW
Thank you Astrotripper for that info. I had no thought why the focal lengths were different. Simply that makes sense, focus breathing, and the distance inside of infinity. And of all the lenses I have the 100-300 is the longest zoom with the most focus breathing. Now that I think about it, focus animate may accept been the reason for my variations of DSLR Lenses.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
HRC2016 • Veteran Fellow member • Posts: 6,780
Re: Panasonic Lumix Yard Vario 100-300mm f/4-5.six OIS II REVIEW
1
ToxicTabasco wrote:
3) The wideness of the 100-300 II is about fifteen% tighter than the Panasonic 35-100 Ii at 100mm. And almost 10% tighter than the Panasonic 45-150, at the 150mm end. Thus, this lens actual wideness at various ranges are tighter than some other lenses..
Anyway, hope this volition aid if you're considering this lens. Thank You.
By "wideness" are you referring to the field of view (FOV)?
Thank you for this detailed review and the photos.
I actually like this lens. It's a great value. Plus, I'yard not aware of copy variation, such as that seems to exist with the Panny 100-400. My copy (of the 100-300 2) is great and I haven't seen whatsoever complaints.
Your experience and mine prove that good technique and fieldcraft can be more important that focal length.
Thanks over again!
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I believe in science, development and light. All opinions are my own. I'm not compensated for any of my posts. Can you honestly say that?
Olympus M.Zuiko ED 75-300mm 1:iv.8-six.seven 2 Olympus 12-100mm F4.0 Panasonic Lumix G Vario 45-200mm F4-5.vi OIS Olympus Grand.Zuiko Digital ED 12-50mm i:three.5-six.3 EZ Sigma 150-600mm F5-half dozen.3 | C +2 more than
Re: Panasonic Lumix G Vario 100-300mm f/4-v.6 OIS II REVIEW
Thank you lot HRC2016. To clarify, I was referring to the focal length, or width of the view. And, the variation is betwixt different lenses.
The post above by Astrotripper explains the focus breathing, and how zoom lenses can change their focal view when the bespeak of focus is inside the infinity range. I besides institute those variations on my Nikon DSLR lenses.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
JosephScha • Veteran Member • Posts: six,751
Re: Panasonic Lumix G Vario 100-300mm f/4-five.half dozen OIS Ii REVIEW
3
Your videos are sensational, and I note that you wrote some of the music in them. Amazing.
It is a pleasance to see the Salton Sea and flocks of Snowfall Geese, and other scenes I am unlikely to ever see (unless I make the trip out there from NY).
Panasonic Lumix DC-G9 Panasonic Leica Summilux DG 25mm F1.iv Panasonic Lumix K Vario 14-140mm F3.5-5.six O.I.S Panasonic 100-300mm F4-5.half-dozen Two Panasonic Lumix G 42.5mm F1.7 +6 more
Re: Panasonic Lumix Thousand Vario 100-300mm f/4-v.6 OIS II REVIEW
JosephScha wrote:
Your videos are sensational, and I note that you wrote some of the music in them. Amazing.
It is a pleasure to see the Salton Body of water and flocks of Snowfall Geese, and other scenes I am unlikely to always see (unless I brand the trip out there from NY).
Thank you JosephScha. Much appreciated.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Avian2016 • Veteran Member • Posts: six,611
Re: Panasonic Lumix Grand Vario 100-300mm f/4-5.6 OIS 2 REVIEW
1
Cool review from the first mitt.
I was wondering regarding my side by side setup for wildlife photography (birds, insects, etc.) and two options came to my narrower selection:
Option one: Nikon D7500 + either Nikkor AF-P DX lxx-300 VR or Tamrons 18-300/18-400.
Option ii: Panny G9 + G Vario 100-300 II
Currently I'm using Panasonic FZ1000 plus Canon Sx70 HS for backup.
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Thank you for watching.
Avian
Re: Panasonic Lumix Yard Vario 100-300mm f/iv-v.half dozen OIS II REVIEW
Avian2016 wrote:
Cool review from the first hand.
I was wondering regarding my next setup for wildlife photography (birds, insects, etc.) and two options came to my narrower option:
Option 1: Nikon D7500 + either Nikkor AF-P DX 70-300 VR or Tamrons eighteen-300/18-400.
Pick ii: Panny G9 + Thou Vario 100-300 II
Currently I'chiliad using Panasonic FZ1000 plus Canon Sx70 HS for backup.
Give thanks you Avian2016. Those are some good choices. Either kit would practise the job. All the same, the IBIS or DUAL IS2 does give IME the Lumix G9 the edge for the long shot and for 4K video long shots. Particularly for small unpredictable subjects like birds, insects, etc... Still, if size and weight are not a problem the Nikon kit would do great with a tripod and gimbal.
What yous take there is a great combo. Making a change in camera format and make is a significant modify, and 1 that could be costly. Thus, earlier you brand a choice on the kit, I would recommend going to your local camera store to handle and test out the gear to meet how they feel, the speed and accuracy of the AF, how the stabilization feels, how the shot looks through the EVF or viewfinder, and how the push button placement and egronomics feel. This would help you narrow downwards your pick.
Anyway, thanks and best wishes on your venture.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Avian2016 • Veteran Member • Posts: six,611
Re: Panasonic Lumix K Vario 100-300mm f/4-five.6 OIS Two REVIEW
1
ToxicTabasco wrote:
Avian2016 wrote:
Cool review from the commencement hand.
I was wondering regarding my next setup for wild animals photography (birds, insects, etc.) and ii options came to my narrower selection:
Option 1: Nikon D7500 + either Nikkor AF-P DX 70-300 VR or Tamrons 18-300/eighteen-400.
Option 2: Panny G9 + G Vario 100-300 Ii
Currently I'yard using Panasonic FZ1000 plus Catechism Sx70 HS for backup.
Thank you Avian2016. Those are some good choices. Either kit would practice the job. However, the IBIS or DUAL IS2 does give IME the Lumix G9 the edge for the long shot and for 4K video long shots. Especially for small unpredictable subjects similar birds, insects, etc... However, if size and weight are not a problem the Nikon kit would do slap-up with a tripod and gimbal.
What you lot have there is a great combo. Making a alter in camera format and make is a significant change, and one that could be costly. Thus, before you make a choice on the kit, I would recommend going to your local camera shop to handle and test out the gear to see how they feel, the speed and accuracy of the AF, how the stabilization feels, how the shot looks through the EVF or viewfinder, and how the button placement and egronomics feel. This would assist you narrow down your selection.
Anyway, thanks and all-time wishes on your venture.
Thanks for your comments.
Actually, a lighter selection would exist desired. However, I didn't discover a lot of info on using the G9/100-300 2 for BIF.
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Cheers for watching.
Avian
Re: Panasonic Lumix G Vario 100-300mm f/4-5.vi OIS II REVIEW
Thank you Avian2016. At that place are some posts on the G9 and BIF on mu43 forum but not much here as some threads become deleted over a curt fourth dimension.
Anyway, I do use this setup for BIF when the opportunity arises. I've never had any bug using the G9 AF to switch instantly to AFC and BIF exposures when the bird takes flight, or when I see one budgeted. HOWEVER, some people have a difficult time using the G9 for BIF, and they don't similar information technology. Thus, this fix is not for everyone. Some like information technology, others don't.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
drm_mhk • New Fellow member • Posts: i
Re: Panasonic Lumix K Vario 100-300mm f/iv-5.vi OIS Ii REVIEW
I am curious nigh your argument in the "cons" department: focus signal gets sticky when most the infinity mark.I am really bothered by the stickiness and considering a return through my squaretrade coverage. Would you expect a replacement to have this same consequence? thanks
Re: Panasonic Lumix One thousand Vario 100-300mm f/4-5.vi OIS II REVIEW
1
ToxicTabasco wrote:
After a year using the Lumix 100-300 II, it's time for a long term review. Reason I needed 1 year to review this lens is, It's the first super telephoto lens I've used. And, after using it for activity/sports, BIF and wildlife, I at present know this lens inside and out.
First the Common Stuff about this lens that can be found online:
one) Every bit you know this 100-300mm lens is equivalent to a 200-600mm FF with the 2X crop factor of MicroFourThirds cameras.
two) All the Specifications of the 100-300 II lens.
three) The difference between original version, and this new 100-300 version 2.
Next the Pros of this lens:
1) Great Value for what yous get vs the other options out in that location.
two) Pocket-sized, Low-cal, and compact for its huge achieve.
3) With the new cameras like Lumix G9, the AF and DUAL IS work great.
4) Image quality is on par with high cease super telephotos for about of its range.
5) Great option for 4K video, and static shots of moving objects.
half dozen) durable plastic absorbs the bumps and bruises well, and information technology did well in the pelting without any impairment to the operation of the lens.
The following is a video using this lens for wild fauna:
The master reason I got this lens was to explore wildlife photography and video with the Lumix G9. And the 100-300 2 does a great job for the price. The AF using ane expanse or single betoken is very fast and accurate with this lens. As seen in the above video, this lens tin be used paw held at twilight before sunrise. Even with a slow aperture like f/5.6 the DUAL IS of the Lumix G9 with the stabilization of the lens will allow ISOs of 1600 or 800 with shutters downward to 1/650 and even lower when it'due south paired with a Dual IS body. And that for me made a huge difference getting stable video and long shots at twilight. I'chiliad using exposure settings I could never get away with using a DSLR and lens i/2 information technology's reach. For me, that was a game changer.
But like any lens, they have compromises. Next The Cons of the 100-300 II.
i) Sloppy manual focus ring. Trying to nail infinity using the distance scale of the camera is very difficult as the focus indicate gets pasty when most the infinity marking. And I utilise this for transmission focus a lot for video.
two) Focus breathing. Not much of an consequence for photo. But for video this limits a lot of close upward to far away focus pulls. Unless you want the effect where the blur changes size.
3) The wideness of the 100-300 Two is about xv% tighter than the Panasonic 35-100 2 at 100mm. And almost 10% tighter than the Panasonic 45-150, at the 150mm end. Thus, this lens actual wideness at diverse ranges are tighter than some other lenses.
All the same, Below are some pics I recently shot with the 100-300 II.
The Panasonic 100-300mm f/4-five.6 OIS II is a great lens for photo and video. It's not the best lens out there, just it gets the job washed for about i/3 the toll. This twelvemonth, I had the gamble to handle the Panasonic/Lecia 50-200 f/2.eight-4, and it was a much nicer lens with noticeably faster AF. And in that location is the Panasonic Leica 100-400 which is some other great lens. Both these higher priced lenses have improve image quality at the long finish of 250 to 300mm. But for the shorter range of 100-200, the Pana 100-300 holds upwardly very well to the best.
So that'south my long term review of this Panasonic lens. I shoot a diversity of styles and venues of photo and video. Thus, this is a bang-up compact all effectually super telephoto lens that can be used without a tripod for photograph and video.
The following are more video I shot with this lens: I also endeavor to include the photographic camera settings when possible.
Anyway, hope this will help if you lot're considering this lens. Cheers.
Not bad images, thanks
Ricoh GR IIIx Sony RX100 VI Sony a7C Olympus 12-45mm F4 Pro Sony FE 90mm F2.eight macro
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